TRANSLATING IMAGES: THE IMPACT OF THE IMAGE ON THE TRANSLATION OF DISNEY’S ALICE IN WONDERLAND INTO SPANISH
Keywords:
Audiovisual translation, Alice in Wonderland, semiotics and visual elements
Abstract
The aim of this paper is to analyse the Spanish dubbed version of the 1951 Disney animated film Alice in Wonderland, based largely on Carroll’s Alice in Wonderland and on some passages from Through the Looking-Glass. The paper analyses the relationship between the visual and the verbal elements found throughout this film. Through an analysis of some examples taken from the Spanish dubbed version of the film, this article shows how the visual becomes a crucial issue in the translation of this film where visual elements merge into the verbal discourse.
Section
Articles
Authors who publish with Miscelánea: A Journal of English and American Studies agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution 4.0 International License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).